Classical Ottoman Singing by Ahmet Erdogdular,
July 25 - 30, 2011.
- All the seminar's participants are kindly requested to state the time and way of their arrival to Heraklion as well as the time and way of their departure at least ten days before the beginning of the seminar.
- On the departure date, students must free their rooms, the latest until 10:00 a.m
- Information concerning your transportation from/to the airport or port will be sent to you via e-mail one week before each seminar as long as you have sent us information concerning your arrival and departure.
Prices and other information.In order to register for the seminar, please send an e-mail at
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including the seminar that you wish to participate, your full name and contact details (e-mail, telephone, address), or contact by phone or fax, Monday-Friday, from 08:00 a.m. - 14:00 p.m. Tel/Fax: +30 2810 741027.
Ahmet Erdoğdular started studying music at an early age with his father, neyzen Ömer Erdoğdular, and continued his musical development with the guidance of the renowned musician Niyazi Sayın. He participated in various concerts as a lead singer while still a teenager. Ahmet holds a BA degree from the Istanbul Technical University State Conservatory where he also completed his Masters degree in Turkish Classical Music under the guidance of Professor Alaeddin Yavaşça. He specialized in Turkish gazel (improvisation) technique, while his academic research is on the use of music and poetry in gazel forms of the late Ottoman period. Ahmet studied makam and improvisation techniques with Niyazi Sayın, Necdet Yaşar and Kani Karaca, and performed with them in Turkey and around the world.
Studying the techniques of masters of Ottoman music like Munir Nurettin Selçuk, Bekir Sıtkı Sezgin, and Meral Uğurlu, Ahmet learned the classical singing style. With his father, he also analyzed the old LP recordings of Hafiz Sami, Hafiz Kemal, Hafiz Osman, Izak Al Gazi, Munir Nurettin Selçuk, Sadettin Kaynak, Üsküdarli Ali Efendi, Hafiz Mecid and others, learning their voice and singing techniques in forms such as classical songs, gazel, kaside, and mevlid. From these great masters Ahmet learned the ways in which poetry is matched to the music so that the literary substance and the musical composition are equally represented when performing vocal improvisation. Ahmet also studied and performs Sufi musical repertoire that over centuries integrated spiritual practice and artistic expression. Those include the naat in Mevlevi ayins, as well as ilahi (hymns) and kaside (improvisation on religious poetry), as essential components of the Sufi zikir (remembrance ceremony).
Ahmet Erdoğdular participated in various festivals in Europe, Asia and the Untied States performing both Ottoman classical and Sufi music. As a member of Lalezar Ensemble he performed in concerts and recorded a four CD Anthology of Ottoman Music in the United States. He performed as a soloist with The Necdet Yasar Ensemble in France, as well as with Kani Karaca in Japan, Niyazi Sayın in Austria, Ross Daly in Greece, and Kudsi Ergüner in France, Morocco, Greece, and Italy. Ahmet participated in festivals such as the Biennale di Venezia, International Gazel Festival, the International Mystic Sufi Music Festival, Fez Sacred Music Festival, and a number of music festivals in Germany, Austria, Belgium, Switzerland and Spain. He performed as naathan and ayinhan in The Sacred Encounter, a documentary presented by the Turkish Ministry of Culture to UNESCO for the proclamation of 2007 as The Year of Rumi. Ahmet gave lectures, seminars and taught workshops in places such as Bosporus University in Istanbul, the Boston Conservatory, Sufi music retreat in San Francisco in the United States, and Labyrinth Musical Workshop in Greece. Ahmet worked at the Turkish Radio as soloist, recorded a number of music program series for different television companies, was a guest soloist for two years at the State Turkish Classical Music Ensemble, and is frequently featured in the Turkish Radio Television TV music programs. Ahmet Erdoğdular plays tambur, oud and percussion and devotes his time to performing and teaching Ottoman Turkish classical music. He is currently a visiting scholar at Columbia University in New York.
