La chiesa bizantina della Michael Archangelos all'estremità delle Gole di Aràdena
The third type of Byzantine church architecture style was created in the sixth century during the reign of Ioustinianos. The beginning was the building of Agia Sofia in Constantinople. It combined features of the previous two forms of basilicas. The dome was placed on top of rectangular buildings, but in order to support it, extensions of the building, at right angles to the main axis of the rectangle, had to be built. This created a building in the shape of a cross with the dome placed in the intersection of the two lines of the cross (cruciform architecture or stavroti). This basic architectural shape has many variations depending on the relative dimensions of the two lines, their relative placement, the relative heights of the two rectangular parts, the shape at the end of the two parts (either plain or recessed to form an apse), the way that the remaining space outside the lines of the cross is used, and the number and shape of domes supported.
In Crete, a prime example of early cruciform style, and one of the most important remains of Christianity, is the church of Agios Titos in Gortyn, Iraklion. It was built in the seventh century A.D. or earlier, and combines the new cruciform shape with earlier styles. Many other churches in Crete are elegant examples of cruciform architecture; for instance, the church of the Panagia Serviotisa in Stylos and Ai Yannis Kyr-Yannis (Zoodohos Pigi) in Alikianos, Chania, which were built at the beginning of the second Byzantine period. The church of Michael Archangelos in Arkalohori, Monofatsi, is in the shape of a cross, without a dome, and the nave higher than the transept. The church of the Panagia Gouverniotissa in Potamies and the church of the Panagia in Drakonero, near Prinos, has cruciform architecture with a dome at the intersection of the nave and the transept.
Often the cross may fit into an enclosing rectangle where the remaining space is completely filled, as is the case with the church of the Panagia Serviotisa of Stylos, or with Michael Archangelos of Aradena, Sfakia. The filled area of the rectangle may create space for a three-part basilica-like church, or it may be very elongated in which case it looks like a single room inside, as is the case in Agios Nikolaos of Kyriakoselia. In some cases, there may be more than one dome; for example, in the church of Ai Yannis Kyr-Yannis of Alikianos, Kydonia there were two, in Agios Fanourios of Kitharida, Malevizi, three, and in Agios Salvadoros of Kounavi (Metamorphosis of Sotiras, Agios Nikolaos and Agios Dimitrios), Pediada, five.
La chiesa di Agios Nikolaos a Kyriakosèlia
Foto di Cruciform Architecture:
La chiesa a pianta cruciforme di Panagìa
La basilica di Agios Titos di Gortyn
La chiesa bizantina di Panagìa a Drakònero
La chiesa bizantina a tre cupole di Agios Fanourios a Kitharida
La chiesa bizantina di Ai Yannis Kyr-Yannis immersa negli aranceti di Kydonìa
La chiesa di Panagìa Serviòtisa a Stylos
Chiesa bizantina del cimitero di Michael Archangelos, Arkalohòri
La chiesa di Agios Nikolaos a Kyriakosèlia
La chiesa bizantina della Michael Archangelos all'estremità delle Gole di Aràdena
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